Showing posts with label indie film. Show all posts
Showing posts with label indie film. Show all posts

02 April 2020

Nippon Connection Film Festival Goes Online!



Virtual Edition of the 20th Nippon Connection Japanese Film Festival
June 9-14, 2020
Nippon Connection has just announced that due to the spread of the novel coronavirus Covid-19, they have decided that it is necessary for the safety of visitors, guests, and volunteers to move the festival online.

The festival director, Marion Klomfass states that cancelling “the festival was not an option for us. Thus, after intense exchanges with our sponsors and cooperation partners, we have decided to hold Nippon Connection’s 20th anniversary in an online edition from June 9 – 14, 2020. We hope to make the best of a difficult situation and are looking forward to new challenges.”

The Nippon Connection team is currently hard at work on a new concept. Under the title Nippon Connection Online, a diverse selection of current Japanese short and feature length films will be presented alongside interactive offerings such as live streams and panel discussions with filmmakers.

The film programme director, Florian Höhr says that in spite of “the current crisis, giving Japanese cinema and its creators a public platform here in Germany is a great concern to Nippon Connection. Taking the festival online will continue to allow us to give our audience a varied view into the contemporary landscape of Japanese cinema.”

Florian has been in contact with me about plans for the short animation programme. With so many filmmakers suffering from the cancellation of events promoting their works we hope that this will be an opportunity for both audiences and film lovers to find hope in these dark times.

Cathy Munroe Hotes
April 2, 2020

04 April 2016

30th Image Forum Festival 2016



The cherry blossoms are in full bloom in Tokyo, which means the latest edition of the Image Forum Festival is fast approaching.  It begins April 29th at its home at the Image Forum Theatre in Shibuya and runs until May 6th.  The festival will then tour the country until mid-July so check out their website for locations near you if you live in Japan.

As usual, the programme features a diverse range of the weird and the wonderful from far and wide.  Some of the highlights of this year include The Guillaume Nicloux’s comedy-drama The Kidnapping of Michel Houellebecq (L'enlèvement de Michel Houellebecq / ミシェル・ウエルベック誘拐事件, 2014), starring the notorious author himself, and Andreas Horvath’s acclaimed documentary Helmut Berger, Actor (俳優、ヘルムート・バーガー, 2015) about the Austrian actor who worked so closely with his partner Luchino Visconti in the 60s and 70s. 

In terms of animation, there is a wide selection of Japanese artists’ works from the 1990s, 2000s and 2010s on offer.  There are also programmes highlighting the animation of other Southeast Asian countries under the umbrella “Anime-Asean” including selections of animated shorts from Singapore and Indonesia.  In my opinion, the “must-see” programme is “Japan Tomorrow” (ジャパン・トゥモロウ) which showcases these recent avant-garde animation and experimental works by Japanese directors:


To  Heel (愛のかかと / Ai no kakato, 2016)
Madoka / 円香 (Geidai 2016 grad)


affordance
Hayato NOVE / 野辺ハヤト (website)


and, end (えんえん / En En, 2015)
Mio YAMANAKA / 山中澪 (Geidai 2015 grad)



Don’t  Tell Mom (おかあさんにないしょ, 2015)
Sawako KABUKI / 冠木佐和子


Clickety-Clack Film “High-speed Express”
(快速急行ガタゴトフィルム /  Kaisoku Kyūkō Gatagoto Firumu, 2015)
Kenta NOMURA / 野村建太 (Tokyo Eizo Brig.)


Datum Point (水準原点 / Suijun Genten, 2015)
Ryo Orikasa / 折笠良 (website)


Schizophrenia (スキゾフレニア, Sukizofuzenia, 201)
Yuri MURAOKA / 村岡由梨 (website / vimeo)



Chocolate Cake and Hōryū-ji
(チョコレートケーキと法隆寺 / Chokorēto keki to Hōryū-ji, 2016)
Keita MUKAI / 向井啓太


Nothing You Need to See
(何も見なくていい / Nani mo Minakute ii, 2015)
Keigo Itō /  伊藤圭吾 (Jury Selection JMAF 2015)


Haha yo, Anime wo miyou  (母よ、アニメを見よう, 2015)
Shun ABE / 阿部舜 (tumblr)



Pyramid (PYRAMID-破壊の記憶の走馬灯 / Hakai no Kioku no Sōmatō, 2015)
Shin SASAKUBO / 笹久保伸 (website, twitter)


Marginal Man (マージナルマンのトーソー / Mājinaruman no tōsō, 2016)
Rei KAWAKITA / 川北玲 (twitter)


Mayumi (まゆみ , 2015)
Chinami TANIGUCHi /  谷口ちなみ  (tumblr, twitter, vimeo)


Watashi niwa Mirai ga aru (私には未来がある, 2016)
Rieko OUCHI /大内りえ子 (website)


09 July 2015

Geidai Animation: 6th Graduate Works 2015 (DVD)


Geidai Animation: 6th Graduate Works 2015 (DVD)
東京藝術大学大学院映像研究科アニメーション専攻第六期生修了作品集 2015

Nippon Connection’s presentation of a selection of animated shorts by the Tokyo University of Arts (aka Geidai) Animation Department’s graduating class of 2015 was sold out again this year.  For those of you who could not be there, the Geidai DVD of their 5th year of graduate works is now available to order online.  

Order Now!


The works were presented this year by Yūichi Itō, who is one of Japan’s top stop motion animators (learn more).   The class of 2015 was also taught by the Oscar-nominated director Kōji Yamamura, the animation producer Mitsuko Okamoto, and Taruto Fuyama of the Koma Koma Lab

In addition to these supervising professors, animator Hiromitsu Murakami is an Assistant Professor in the MA programme and Ilan Nguyen is a lecturer.  Hiroki Kono (Geidai 2011), Yuanyuan Hu (Geidai 2012), and Hakhyun Kim (Geidai 2013) provided additional assistance.  Sound instructors for the films were Tatsuhko NishiokaToru KamekawaYuichi Kishino, and Hiroshi Takayama.


Each Geidai graduating class is given a pithy one-word theme.  This year’s theme is “DAWN”, which is an inspired idea in the way that it evokes the promise of a new generation of animators.   At the graduating class’s screening event in March, talks were held with special guests including Tomoyasu MurataSumito Sakakibara, Masaki Fujihata and the Dutch-Canadian animator Co Hoedeman.

Of the 12 students graduating this year 2/3 of them are women, which is a trend at many animation schools in Japan suggesting that the era of male dominance of the animation industry in Japan may finally be coming to an end.  

Some of the students that I have my eye on for future greatness include Shishi Yamazaki, whose sensual works featuring self portraits such as Yamasuke Yamazaki (2013) are a breath of fresh air. 

Yukie Nakauchi is also one to watch.  I featured her adaptation of Niel De Ponte’s Celebration and Chorale (2013) at this year’s Nippon Connection as an example of one of Tamabi’s top recent graduates.  With her abstract works she demonstrates a great understanding of the relationship between music and animated movement. 

Satomi Maiya’s graduate film has a more mainstream appeal.  The soft watercolour look and character design in A Place to Name reminded me of the renowned children’s picture book author Chihiro.  

There are two stop motion animators in this graduating class who also attracted my interest: Kohei Takeda and Ataru Sakagami.  Sakagami’s stop motion of the interior of his old family home, with its tatami floors shredding up and filling the room is brilliant and he is definitely one to watch out for in the near future. 

I will review some of my favourite films from this graduating class in the near future.  The consensus at the Nippon Connection selected screening was that there were not as many exceptional works as last year, but the quality of animation is solid and they are certainly a very talented group of animators.  

Note: The film descriptions below are by the filmmakers themselves.  I have made a couple of improvements to the spelling / wording but I have not corrected everything. 

Graduate Films
収録作品  第三期生修了作品


Scutes on my Mind
かたすみの鱗 / Katasumi no Uroko /  8’58”

“The scutes glisten in the corner of her mind and she starts to dig her memories up.  What was like the museum director she encountered when she was lost?”

Note: "Scutes" is the zoological term for bony external plates or scales overlaid with horn, as found on the shell of a turtle, the skin of crocodilians, and the feet of birds.

Megumi Ishitani (石谷恵, b. 1991) was born in Hyogo.  She also has a degree in Intermedia Art from Geidai (2013).  Check out her website, or follow her on tumblr, twitter, and vimeo.



Wild Boys Advance
超ラジオ体操 / Chō Rajio Taisō /  5’12”

“An ensemble play with men full of distorted energy.”

koya (b. 1990) was born in Aichi and is a graduated of Musashino Art University (2013).  He leads the video production group KENJA.  Follow him on twitter, instagram, and vimeo, or check out his profile here.



A Place to Name
その家の名前 / Sono ie no namae / 4’31”

“This place is where my grandparents, my parents, and I once lived.  Even though I lose my memories and feelings of it, it does exist there and keeps to be in existence.”

Ataru Sakagami (坂上直, b.  1986) is from Niigata.  He graduated from the Kyoto University of Art and Design with a degree in Video and Performing Arts in 2010. You can find him on twitter.



Fox Fears
きつね憑き/ Kitsune Tsuki / 7’38”

“In the evening of a village festival, a young boy named Bunroku goes to the festival with his friends and visits a clog shop on the way.  There he learns an old superstition about the fox.”

Miyo Sato (佐藤美代, b. 1989) is from Nagoya in Aichi Prefecture.  She graduated from the School of Design at Nagoya University of the Art (2011). Check her out on tumblr.


Moonlit Night and Opal
月夜&オパール / Tsukiyo to Opāru  / 3’21” 

“Half asleep with my eyes closed, my conscience flies beyond time and space and I transform myself to all the life forms existing.  I become the universe and the universe becomes me, until I fall asleep.  .  .  It is a song to pray for the existence of heart and soul at an awakening.” 

Shishi Yamazaki (シシヤマザキ, b.1989) is from Kanagawa.  She has a degree in Design from Tokyo University of the Arts (2013).  Follow her on twitter, check out her website, or buy products that feature her art from Kotobukisun Shop.


Holy Shit!
6’03”

“One elephant lives in a mountain.  He spends his life drawing pictures and fishing.  Pigs with swollen crotches live in the city.  The city is full of towers.  One day a tower is built near the elephant’s cabin, the elephant starts to climb it. 

Takashi Shibuya (澁谷岳志, b.1988) is from Fukushima.  He has a degree in Geology from Shinshu University (2012).  Follow him on twitter and vimeo, or check out his website.


Helleborus Niger
7’57”
“A story of a father and a daughter.  The father projects the images of [his] former [him]self on his daughter.  Their feelings start to merge as his memories get clearer.”

Kohei Takeda (武田浩平, b. 1990) is a stop motion animator form Ibaraki.  He graduated from the College of Education at Ibaraki University in 2013.  Follow him on tumblr.


I’m Here
6’
“One doesn’t know where to go but has to move forward.  He has to go to his goal.  Always transforming himself, his heat and mind drift and run towards the goal when he finds it.”

Yukie Nakauchi (中内友紀恵, b. 1989) was born in Hokkaido.  She graduated from Tama Art University in 2013.  Follow her on twitter or check out her website.


Tepid Bath 
2’59”
“The borderline of water, a body, or a bathtub gets more and more unclear.  All are mixed together in the lukewarm water.”

Tsumugi Harunari (春成つむぎ, b. 1983) is from Ishikawa.  She graduated from the International Academy of Media Arts and Sciences (IAMAS) in 2008.  Follow her on twitter or check out her website.


Missing You
白いうなばら / Shiroi Unabara / 6’25” 

Satomi Maiya (米谷聡美, b. 1990) was born in Miyagi.  She studied animation at Tokyo Polytechnic University (2013).  Follow her on tumblr, vimeo, or twitter.


Hollow Mind
/ Shina / 5’29” 
“The mind grows hollow leaving the body behind.  Soon she is almost swallowed by the swelled one.  The fruit that failed to fruit.”

yagi (山羊, b. 1990) is from Aichi.  She graduated from the School of Design at Nagoya University of the Arts (NUA, 2012). http://yagigoya.wix.com/228


Zdravstvuite!
ズドラーストヴィチェ! / Zudorāsutovische / 5’36”

Yoko Yuki (幸洋子, b. 1987) was born in Aichi.  She has a degree in Visual Media from Nagoya University of the Arts and Sciences (NUAS, 2010). http://yokoyuki.com/

First Year Films (2014)
一年次作品 2014


Reinventing the Square Wheel
四角い車輪の再発明 / Shikakui Sharin no Saihatsumei / 2’24”

“On various forms expanded in all the direction[s] and a dance by a man in tights.”

Yasuaki Adachi (足立靖明, b. 1986) did both his undergraduate and graduate studies at Tokyo University of the Arts.  Follow him on twitter or tumblr.


Oh Dear
あらら / Arara

“Naoko had a fight with her brother over a trivial thing and pushed him away.  She knew she was childish but she ran away from home.”

Megumi Ishitani (石谷恵) – profile above


SPOON

“A boy’s spoon falls on the floor when he is having a breakfast.  The moment he is trying to pick it up, the boy is thrown into the [a] different world.  There he begins the adventure to take his spoon back.”

Yikun Wang (王禕坤 / オウ・イコン, b. 1991) was born in Shanghai.  He has a degree in Mechanical Engineering from the University of Tokyo and a degree in Design from Tokyo University of the Arts.


ImZoo
3’05”

“Signs such as circles, points, and lines get together to make the shape of a ‘bear’.  ‘The bear’ starts to walk to find the concrete places and comes across animals in the forest.  We tend to find a story in the relationship between ‘The bear’ and other animals.”

koya – profile above


Return to Dust
1’50”

“A skeleton is tied with red threads and stuck by clay.  How much control do we have in our own actions?  And what does hinder these actions?”

Ataru Sakagami (坂上直) – profile above


Through the Windows
3’24”

“The gaze of a woman from a window to  [at other] windows leads to a recollection of the various scenes.  The metamorphosed windows transfer, expand, reflect, conserve, and sometimes shine like a lighthouse.”

Miyo Sato (佐藤美代) – profile above


aaH / Hee
ああ/良い / aa / ii / 2’12” 

“When the mind says aah, the body says hee.  I dance around the confusion and the consensus, and my whole life is getting composed of these dances.”

Shishi Yamazaki (ししやまざき) – profile above


Fishing
/ Ryō/ 3’ 
Ai Sugaya (菅谷愛) belongs to the animation group Onion Skin along with other Geidai students Toshikazu Tamura, Onohana (Geidai 2014) and Yewon Kim (Geidai 2014).


THE FALL
2’42”
“[A depressed] and isolated mind is similar to the sense of floating in the water.  Underwater as a man’s mindscape and the real occurrences at the beach are portrayed”

Kohei Takeda (武田浩平) – profile above


tumbled cat
2’
“A record of sensation and sign[s] of watching tumbl[ing], moving and then floating.”

Toshikazu Tamura (田村聡和) belongs to the animation group Onion Skin along with other Geidai students Ai Sugaya, Onohana (Geidai 2014) and Yewon Kim (Geidai 2014).



Scape Escape
ぜんぶわかってる / Zembu wakatteru / 1’59”

“A man wanted to escape.  He wanted to stay unaware but he found them all.”

Yukie Nakauchi (中内友紀恵) – see profile above.


The Closet
4’29”

“A young girl takes it into her head that her mother is taken by her newly born sister.  Out of jealousy she hides her baby sister in darkness.”

Satomi Maiya (米谷聡美) – see profile above


GYRØ
6’32”

“The everyday life of an elephant and a woman, his wife in a lakeside house.  Their life together with a certain distance repeats itself.  The traces of the passing time cover the familiar landscape.  One day an accident happens to the couple living together with contradictions and secrets.” 

Madoka (円香, b. 1990) is an animator, filmmaker and illustrator.  Before coming to Geidai, she studied animation at Tokyo Zokei University (2011).  Check out her website.


My Dear
6’33”

“At the waterside surrounded by factories and the [waste] lives a white frog.  It loves a goldfish who also lives in the neighbourhood.  Recently the goldfish appears to be in poor health, which worries the frog.”

Yagi (山羊) – see profile above.



Mind Game
形而上の無限思考 / Keijijyō no Mugenshikō / 4’50”

“The devices not used for a story are fed and then destroyed.  This is a reproduction of reminiscence when a heroine runs about a neuron in a moment of waiting for the world that didn’t happen.”

Risa Yamashita (山下理紗) is in her early 20s.  She only lists rather vague information about herself in her profile on her website.


See ya, Mr. Banno!
黄色い気球とばんの先生 / Kiroi Kikyū to Banno Sensei / 4’23”

“One day out of [the] blue Prof. Banno of next class came to school with his hair shaven.  Students made fun of his bald head.  Prof. Banno flew in a hot air balloon the other next day.  Nobody knows anything about what happened to him afterwards after that.” 

Yōko Yuki (幸洋子) – see profile above.



Cathy Munroe Hotes 2015

30 December 2013

Best Japanese Indie Animation Shorts 2013


Nishikata’s Best Japanese Indie Animation Shorts 2013

2013 did not disappoint when it came to indie animation fare.  Due to the vagaries of short film distribution, to qualify for this list films either had to be released in Japan in 2013 or be a 2012 Japanese release that screened at European festivals in 2013.  There are so many talented animators working in Japan at the moment that it was nigh on impossible for me to narrow my list down to just 10, but I somehow managed a short list of 15.  Without further ado, here are my screening highlights from the past year ordered randomly. 


Kick-Heart (Yuasa Masaaki, 2013)
I am a long-time fan of Yuasa Masaaki (Mind Game, Tatami Galaxy), travelling to Dortmund in 2011 to see him at the Japan Media Arts Festival (read about his film talk there), so I was delighted to be able to put my money where my mouth is and support him in his latest project Kick-Heart.  It is, indeed, a kick-ass film and I hope to review my copy of the Blu-ray/DVD set soon.  Kudos to Production I.G. for going the extra mile for innovative animation.



Combustible (火要鎮 / Hi no Yōjin, 2012)
This short film by legendary manga-ka and animator Katsuhiro Otomo (Akira, Memories) won the Animation Grand Prize at the Japan Media Arts Festival 2012 and then went on to win the Noburō Ōfuji Award at the 2012 Mainichi Concours.  Combustible is an adaptation of Otomo’s 1994 one-shot manga of the same name and is set during the time of the great fires in Edo.   This film appears as part of the anthology anime Short Peace (ショート・ピース, 2013) alongside animated shorts by Shuhei Morita, Hiraki Ando and Hajime Katoki.  I will be reviewing Short Peace when the Blu-ray is released mid-January 2014.  Although Otomo isn't exactly "indie", one can't argue that he takes risks with his animation, going beyond the mainstream in his choice of subject matter and style of animation.




Futon (布団, 2012)
This minimalist short by Yoriko Mizushiri explores the sensual aspects of being sleepily wrapped up in a warm duvet.   It won a number of prizes in Japan including the prestigious Renzo Kinoshita Prize at Hiroshima and the New Face Award at the Japan Media Arts Festival. It has also been a big hit at international festivals, making the short list for Cartoon Brew’s most well liked animated short of 2013.  It appears on the new DVD/Blu-ray L'Animation Indépendante Japonaise, Volume 1.   Mizushiri’s most recent film, Snow Hut (かまくら, 2013), made the Jury Selection at this year’s Japan Media Arts Festival.


Ninja and Soldier (2012)
Experimental animator Isamu Hirabayashi has followed up the success of his animated short 663114 (2011) with another computer animation, Ninja and Soldier.  The central characters, two eight-year-old boys, are drawn in a child-like crayon scrawl on an elegant background straight out of traditional Japanese art.  The film explores human nature through the eyes of children.  Ninja and Soldier screened at the 2013 Berlinale and at Image Forum Festival 2013.



Recruit Rhapsody (就活狂想曲, 2012)
It was hard to choose my favourites from among the strong works from Geidai animation grads, but Maho Yoshida’s clever depiction of the annual Shūkatsu Kyōsōkyoku job hunt certainly tops my list of Geidai faves.  Read my review here.



Red Colored Bridge (2012)
In his characteristic brightly coloured style, the renowned pop artist Keiichi Tanaami uses the symbolic red bridge to heaven found in traditional Japanese gardens to take us on a psychedelic, erotic, and spiritual journey into his imagination.  This film can be found on L'Animation Indépendante Japonaise, Volume 1.



Maze (2012)
With their latest film TOCHKA (Takeshi Nagata and Kazue Monno) have come up with yet another innovative new way to showcase their PiKA PiKA animation: on a grid pattern of 12x4 squares.  A team of assistants with different coloured lights act like pixilated Bunraku performers colouring in and around the blocks with light.  This film required meticulous planning and choreography. My favourite moment is the Pac-Man inspired sequence where a yellow arrow and a couple of stars negotiate a maze.   This film can be found on the recently released DVD/Blu-ray L'Animation Indépendante Japonaise, Volume 1.  



Columbos (Kawai + Okamura, 2012)
Hiroki Okamura and Takumi Kawai, better known as Kawai + Okamura (カワイオカムラ), are a creative duo who both teach at the Kyoto University of Art and Design.  Columbos is a reimagining of the legendary television detective Columbo with puppets.  It is a unique puppet animation unlike anything I have ever seen before with unbelievable use of lighting, special effects, and choreography of figures.  This film appears on the new DVD/Blu-ray L'Animation Indépendante Japonaise, Volume 1.  


While the Crow Weeps (カラスの涙, 2013)
Sukimaki Animation (Makiko Sukikara and Kohei Matsumura) were awarded the New Face Award at the Japan Media Arts Festival for their atmospheric short While the Crow Weeps.   This hauntingly beautiful depiction of crows is like an Edgar Allan Poe poem come to life.


Airy Me (2013)
 Dream-pop singer Cuushe (have a listen on soundcloud) has some of the coolest tie-in art and videos around and Airy Me is my current favourite.  Animated by Yoko Kuno, the same artist who designed the cover art for Cuushe’s latest album Butterfly Case, the music video takes us on a dizzying journey into psychosis.  Watch it for yourself on Vimeo.



Anomalies (Atsushi Wada, 2013)
 Award-winning CALF animator Atsushi Wada’s latest film was funded by Animate Projects, the UK’s “only arts charity in the UK dedicated to championing experiments in animation” via its online exhibition space and screenings on Channel 4’s Random Acts.  Anomalies is part of the group commission Secret Monsters.  Drawn in Wada’s characteristic style, Anomalies has a faster pace than his earlier films but long-time Wada fans will recognize the characters and themes.  Watch it here.



Yamasuki Yamazaki (やますき、やまざき, 2013)
A joyous celebration of the female form, Shishi Yamazaki’s Yamasuki Yamazaki is a sensual delight.  Inspired by female curves, cherry blossoms, and the music of Jean Kluger and Daniel Vangarde (father of Daft Punk's Thomas Bangalter), it is the only film I have ever seen that succeeds in making the act of defecation look almost lovely.   Watch for yourself on Vimeo.


Little Ojisan (aka Mini Oyajiちいさなおじさん, 2012-present)
This minimalist short-short animated series was adapted by Noi Asano from his manga series The Diary of Little Ojisan (ちいさいおやじ日記 / Chiisai Oyaji Nikki, 2008-present) and airs on Chiba TV.  The series stars a Tom Thumb-esque character in the form of a middle-aged businessman.  His adventures begin when a young girl finds him under a leaf on a rainy day and adopts him.  The comic vignettes play on the absurd role reversal of the mini-businessman and the girl.  Odd but strangely engaging, I like the simplicity of the pencil on white drawings.  Sample episodes can be found on Little Ojisan’s official Youtube Channel.
  


Wonder (ワンダー, 2013)
 I gave CALF animator Mirai Mizue my financial support when he crowdfunded the completion of Wonder, a short film that developed out of his Wonder 365 Animation Project (Mirai Mizue, 2012-13).  The film is now complete and heading out to festivals.  The film has already been given a Special Jury mention at the Japan Media Arts Festival, and I expect it will do well on the festival circuit in 2014. 



A Wind Egg (空の卵, 2012)
Ryo Ōkawara is another Geidai animation programme graduate whose work is improving with each new film.  His deeply disturbing but captivating short A Wind Egg won the Lotte Reiniger Promotion Award for Animated Film at the Stuttgart Trickfilm Festival in 2013.  Read my review here

Catherine Munroe Hotes 2013