Sumiko Hosaka (保坂純子, b. 1930) has worked as a puppet
artist since 1953. Throughout
her career she has made puppets for live theatre, TV, and commercials, but is
perhaps best known for the puppets she made for the stop motion animation of Tadanari Okamoto. She has also made puppets for the films of Fumiko Magari and the Noburo Ofuji Award winning team N&G Production.
Her first experience making puppets
for stop motion animaton came in the early 60s when she was part of the
original staff at Tadahito Mochinaga’s
MOM Productions. She was on one of the puppet-making teams that worked on MOM Pro's first project for Rankin/Bass The New Adventures
of Pinocchio (1960-61). Starting in
the late 1960s, she began working for Okamoto, her former colleague at MOM Pro, after
he had set up his own independent studio Echo Productions. She made puppets for many of his most significant
stop motion works from The Mochi Mochi
Tree (1972) to The Magic Ballad
(1982). She also occasionally worked for
Kihachirō Kawamoto – including his greatest work Book of the Dead (2005).
Sumiko Hosaka currently teaches
puppet making techniques at Laputa
Art Animation School. Examples of
her freelance work can be seen in her profile at Puppet House.
Selected Filmography
The New Adventures of Pinocchio
(Rankin Bass, 1960-61)
Back When Grandpa Was a Pirate
(Tadanari Okamoto, 1968)
Home My Home (Tadanari Okamoto,
1970)
The Flower and the Mole (Tadanari
Okamoto, 1970)
The Monkey and the Crab
(Tadanari Okamoto, 1972)
The Mochi Mochi Tree (Tadanari
Okamoto, 1972)
Praise Be to Small Ills (Tadanari
Okamoto, 1973)
Five Small Stories (Tadanari Okamoto,
1974)
Are wa dare? (Tadanari Okamoto,
1976)
The Magic Ballad (Tadanari Okamoto,
1982)
The Little Bear Oof (Fumiko Magari, 1983)
The Fourth of the Narcissus Month (Suisenzuki no Yokka, Nozomi Nagasaki , N&G Production, 1990)
Home Alone (Rusuban, Nozomi Nagasaki,
N&G Production, 1996) – won Noburo Ofuji Award
Book of the Dead (Kihachiro
Kawamoto, 2005)
Hosaka’s picks for the Laputa 150
poll in 2003 speak for themselves: a cross-section of some the greatest films in world
animation. Reflecting her interest in
puppets, the list is heavy with examples of stop motion animation by Jiri Trnka, Karel Zeman, Roman Kachanov,
Jan Svankmajer, and, of course, Okamoto
and Kawamoto. At #1, Hosaka placed the Soyuzmultfilm
classic The Little Grey Neck (1948). In Japan, it was released on DVD together
with Ivan Ivanov-Vano’s The Humpbacked Horse (1947/75) as part
of The
Ghibli Museum Library. It is also available to buy as a
download here.
1. The Little Grey Neck (灰色くびの野鴨, Vladimir Polkovnikov/Leonid
Amalrik, USSR, 1948)
2. The Emperor's Nightingale (支那の皇帝の鴬, Jiri Trnka, Czechoslovakia, 1948)
3. Prince Bayaya (バヤヤ王子, Jiri Trnka, Czechoslovakia, 1950)
4. The Hand (手, Jiri Trnka, Czechoslovakia,
1965)
5. Inspiration (水玉の幻想, Karel
Zeman, 1948)
6. The Fantastic World of Jules Verne (悪魔の発明,
Karel Zeman, 1958)
7. Tale of Tales (話の話, Yuri
Norstein, Russia/USSR, 1979)
8. Hedgehog in the Fog (霧につつまれたハリネズミ, Yuri
Norstein, Russia/USSR, 1975)
9. Cheburashka
(チェブラーシカ, Roman Kachanov, Russia/USSR, 1971)
10. Dimensions of Dialogue (対話の可能性, Jan
Svankmajer, Czechoslovakia, 1982)
11. Faust (ファウスト, Jan
Svankmajer, Czech Republic, 1994)
12. The Fall ( 落下, Aurel Klimt/Derek Shea, Czech
Republic, 1999)
13. The Cowboy’s Flute (牧笛, Tei Wei/Qian Jianjun, China, 1963
14. The Demon (鬼, Kihachirō
Kawamoto, Japan, 1972)
15. The Magic Ballad (おこんじょうるり, Tadanari Okamoto, Japan, 1982)
16. Creature Comforts (快適な生活,
Nick Park, UK, 1989)
17. Nausicaä of the Valley of theWind (風の谷のナウシカ, Hayao Miyazaki, Japan, 1984)
18. The Man Who
Planted Trees/L'homme qui plantait des arbres
(木を植えた男, Frédéric Back, Canada,
1987)
19. Otesánek (オテサーネ, Jan
Svankmajer, Czech Republic, 2001)
20. A Christmas Dream (おもちゃの反乱, Karel and Borivoj Zeman, Czechoslovakia,
1946)
