Year
in Review
1962 got off
to a great start for animation in Japan with the Animation Group of Three (アニメーション三人の会/ Animation Sannin no Kai), aka Yōji Kuri (久里洋二, b.
1928), Ryohei Yanagihara (柳原良平, 1931-2015), and Hiroshi
Manabe (真鍋博, 1932-2000), holding their second animation screening
event at the Sōgetsu Cinematheque on January 19, 1962.
The second
Annecy international animation festival was held in 1962 and Kuri, who would
become a notorious figure on the international animation scene in the 1960s,
had his debut at the festival with his 27 minute film Here and There (あっちこっち, 1961). Some filmographies list the film as being
released in 1962 and only 20 minutes.
Kuri’s Clap Vocalism (人間動物園,1962),
also known as Human Zoo, was entered
into competition with the Italian title Giardino
Umano at the 23rd Venice International Film Festival as part of
the 13th Festival of Documentary and Short Films and won the bronze
medal for animation (Osella di bronzo per
i cortometraggi di animazione). His
film Stamp Fantasy (1961) had been at the festival the year previously and his
work would regularly feature at the Biennale and other European festivals throughout the 1960s.
The path to
international recognition for Japanese animation had already been forged by the
animation pioneer Noburō Ōfuji (大藤信郎) who passed away in 1961 with two animated films
incomplete (learn
more) In his memory, the Mainichi
Film Awards created an award for innovation in animation, known as the Noburō
Ōfuji Award (大藤信郎賞). The first
recipient of this award was Osamu Tezuka
for his short film Story of a Certain
Street Corner (ある街角の物語, 1962) The Mainichi Film Awards do not publish the
other contenders for this annual prize, which got me to wondering what other
films might have been on the short list.
Kuri’s Clap Vocalism was international
sensation but didn’t get the nod until 1965 when the Mainichi film awards
recognised several of his films together.
Manabe’s Cinepoem No. 1 is also one of the most innovative
of the year.
In the world
of television, Ryuichi Yokoyama’s Otogi Pro animation series Instant History (インスタントヒストリー),
which had debuted in 1961, continued in 1962 under the new title Otogi Manga
Calendar (おとぎマンガカレンダー) moving from Fuji Television to TBS. In addition, Otogi’s World Tour (おとぎの世界旅行 / Otogi no sekai ryoko, 1962),
an omnibus of seven shorts that Yokoyama has completed in 1960 where edited
into a feature length release and given a cinematic release. The distributor was Toho, who apparently oddly
screened the omnibus film together with King
Kong vs. Godzilla (キングコング対ゴジラ, 1962).
The other
significant animation event in Japan in 1962 was the release of the widescreen
feature anime Arabian Nights: Sinbad's
Adventures (アラビアンナイト シンドバッドの冒険, 1962) on July 21st. Not to be confused with the 1975/6 Nippon
Animation TV series of the same name, this was Tōei Dōga’s fifth feature
anime. Co-directed by Taiji Yabushita and Yoshio Kuroda, this beautifully
animated work was the first Tōei film to use a setting outside of East Asia. Inspired by the classic legends of One Thousand and One Nights, the
screenplay was developed by manga-ka Osamu
Tezuka and the novelist Morio Kita.
Best Japanese Animated Shorts of 1962
人間動物園
Ningen
Dōbutsuen
1962年 / 3’
Yōji KURI (久里洋二, b.
1928)
Cinepoem No.1
シネポエム作品No.1
Shinepoemu Sakuhin No. 1
1962年 / 7’
Hiroshi MANABE (真鍋博, 1932-2000)
Story of a Certain Street Corner
ある街角の物語
Aru no
Monogatari
1962年 / 3’
Osamu TEZUKA (手塚治虫, 1928-1989)
Males
おす
Osu
1962年 / 3’
Osamu TEZUKA
Motoro the Mole
もぐらのモトロ
Mogura no
Motoro
1962年 / 13’20”
Hiroshi Ikeda (池田宏, b. 1934)
Toei Dōga
Otogi's World Tour
おとぎの世界旅行1962年 / 86’ (omnibus of 7 shorts)
Otogi no sekai ryoko
Ryuichi Yokoyama (横山隆一, 1909-2001)
Otogi Pro
The Ant and the Grasshopper
ありときりぎりす
Ari to Kirigirisu
1962年 / 15’31”
Matsue JINBO (神保まつえ,
b. 1928) / Gakken