Showing posts with label women directors. Show all posts
Showing posts with label women directors. Show all posts

09 July 2015

Geidai Animation: 6th Graduate Works 2015 (DVD)


Geidai Animation: 6th Graduate Works 2015 (DVD)
東京藝術大学大学院映像研究科アニメーション専攻第六期生修了作品集 2015

Nippon Connection’s presentation of a selection of animated shorts by the Tokyo University of Arts (aka Geidai) Animation Department’s graduating class of 2015 was sold out again this year.  For those of you who could not be there, the Geidai DVD of their 5th year of graduate works is now available to order online.  

Order Now!


The works were presented this year by Yūichi Itō, who is one of Japan’s top stop motion animators (learn more).   The class of 2015 was also taught by the Oscar-nominated director Kōji Yamamura, the animation producer Mitsuko Okamoto, and Taruto Fuyama of the Koma Koma Lab

In addition to these supervising professors, animator Hiromitsu Murakami is an Assistant Professor in the MA programme and Ilan Nguyen is a lecturer.  Hiroki Kono (Geidai 2011), Yuanyuan Hu (Geidai 2012), and Hakhyun Kim (Geidai 2013) provided additional assistance.  Sound instructors for the films were Tatsuhko NishiokaToru KamekawaYuichi Kishino, and Hiroshi Takayama.


Each Geidai graduating class is given a pithy one-word theme.  This year’s theme is “DAWN”, which is an inspired idea in the way that it evokes the promise of a new generation of animators.   At the graduating class’s screening event in March, talks were held with special guests including Tomoyasu MurataSumito Sakakibara, Masaki Fujihata and the Dutch-Canadian animator Co Hoedeman.

Of the 12 students graduating this year 2/3 of them are women, which is a trend at many animation schools in Japan suggesting that the era of male dominance of the animation industry in Japan may finally be coming to an end.  

Some of the students that I have my eye on for future greatness include Shishi Yamazaki, whose sensual works featuring self portraits such as Yamasuke Yamazaki (2013) are a breath of fresh air. 

Yukie Nakauchi is also one to watch.  I featured her adaptation of Niel De Ponte’s Celebration and Chorale (2013) at this year’s Nippon Connection as an example of one of Tamabi’s top recent graduates.  With her abstract works she demonstrates a great understanding of the relationship between music and animated movement. 

Satomi Maiya’s graduate film has a more mainstream appeal.  The soft watercolour look and character design in A Place to Name reminded me of the renowned children’s picture book author Chihiro.  

There are two stop motion animators in this graduating class who also attracted my interest: Kohei Takeda and Ataru Sakagami.  Sakagami’s stop motion of the interior of his old family home, with its tatami floors shredding up and filling the room is brilliant and he is definitely one to watch out for in the near future. 

I will review some of my favourite films from this graduating class in the near future.  The consensus at the Nippon Connection selected screening was that there were not as many exceptional works as last year, but the quality of animation is solid and they are certainly a very talented group of animators.  

Note: The film descriptions below are by the filmmakers themselves.  I have made a couple of improvements to the spelling / wording but I have not corrected everything. 

Graduate Films
収録作品  第三期生修了作品


Scutes on my Mind
かたすみの鱗 / Katasumi no Uroko /  8’58”

“The scutes glisten in the corner of her mind and she starts to dig her memories up.  What was like the museum director she encountered when she was lost?”

Note: "Scutes" is the zoological term for bony external plates or scales overlaid with horn, as found on the shell of a turtle, the skin of crocodilians, and the feet of birds.

Megumi Ishitani (石谷恵, b. 1991) was born in Hyogo.  She also has a degree in Intermedia Art from Geidai (2013).  Check out her website, or follow her on tumblr, twitter, and vimeo.



Wild Boys Advance
超ラジオ体操 / Chō Rajio Taisō /  5’12”

“An ensemble play with men full of distorted energy.”

koya (b. 1990) was born in Aichi and is a graduated of Musashino Art University (2013).  He leads the video production group KENJA.  Follow him on twitter, instagram, and vimeo, or check out his profile here.



A Place to Name
その家の名前 / Sono ie no namae / 4’31”

“This place is where my grandparents, my parents, and I once lived.  Even though I lose my memories and feelings of it, it does exist there and keeps to be in existence.”

Ataru Sakagami (坂上直, b.  1986) is from Niigata.  He graduated from the Kyoto University of Art and Design with a degree in Video and Performing Arts in 2010. You can find him on twitter.



Fox Fears
きつね憑き/ Kitsune Tsuki / 7’38”

“In the evening of a village festival, a young boy named Bunroku goes to the festival with his friends and visits a clog shop on the way.  There he learns an old superstition about the fox.”

Miyo Sato (佐藤美代, b. 1989) is from Nagoya in Aichi Prefecture.  She graduated from the School of Design at Nagoya University of the Art (2011). Check her out on tumblr.


Moonlit Night and Opal
月夜&オパール / Tsukiyo to Opāru  / 3’21” 

“Half asleep with my eyes closed, my conscience flies beyond time and space and I transform myself to all the life forms existing.  I become the universe and the universe becomes me, until I fall asleep.  .  .  It is a song to pray for the existence of heart and soul at an awakening.” 

Shishi Yamazaki (シシヤマザキ, b.1989) is from Kanagawa.  She has a degree in Design from Tokyo University of the Arts (2013).  Follow her on twitter, check out her website, or buy products that feature her art from Kotobukisun Shop.


Holy Shit!
6’03”

“One elephant lives in a mountain.  He spends his life drawing pictures and fishing.  Pigs with swollen crotches live in the city.  The city is full of towers.  One day a tower is built near the elephant’s cabin, the elephant starts to climb it. 

Takashi Shibuya (澁谷岳志, b.1988) is from Fukushima.  He has a degree in Geology from Shinshu University (2012).  Follow him on twitter and vimeo, or check out his website.


Helleborus Niger
7’57”
“A story of a father and a daughter.  The father projects the images of [his] former [him]self on his daughter.  Their feelings start to merge as his memories get clearer.”

Kohei Takeda (武田浩平, b. 1990) is a stop motion animator form Ibaraki.  He graduated from the College of Education at Ibaraki University in 2013.  Follow him on tumblr.


I’m Here
6’
“One doesn’t know where to go but has to move forward.  He has to go to his goal.  Always transforming himself, his heat and mind drift and run towards the goal when he finds it.”

Yukie Nakauchi (中内友紀恵, b. 1989) was born in Hokkaido.  She graduated from Tama Art University in 2013.  Follow her on twitter or check out her website.


Tepid Bath 
2’59”
“The borderline of water, a body, or a bathtub gets more and more unclear.  All are mixed together in the lukewarm water.”

Tsumugi Harunari (春成つむぎ, b. 1983) is from Ishikawa.  She graduated from the International Academy of Media Arts and Sciences (IAMAS) in 2008.  Follow her on twitter or check out her website.


Missing You
白いうなばら / Shiroi Unabara / 6’25” 

Satomi Maiya (米谷聡美, b. 1990) was born in Miyagi.  She studied animation at Tokyo Polytechnic University (2013).  Follow her on tumblr, vimeo, or twitter.


Hollow Mind
/ Shina / 5’29” 
“The mind grows hollow leaving the body behind.  Soon she is almost swallowed by the swelled one.  The fruit that failed to fruit.”

yagi (山羊, b. 1990) is from Aichi.  She graduated from the School of Design at Nagoya University of the Arts (NUA, 2012). http://yagigoya.wix.com/228


Zdravstvuite!
ズドラーストヴィチェ! / Zudorāsutovische / 5’36”

Yoko Yuki (幸洋子, b. 1987) was born in Aichi.  She has a degree in Visual Media from Nagoya University of the Arts and Sciences (NUAS, 2010). http://yokoyuki.com/

First Year Films (2014)
一年次作品 2014


Reinventing the Square Wheel
四角い車輪の再発明 / Shikakui Sharin no Saihatsumei / 2’24”

“On various forms expanded in all the direction[s] and a dance by a man in tights.”

Yasuaki Adachi (足立靖明, b. 1986) did both his undergraduate and graduate studies at Tokyo University of the Arts.  Follow him on twitter or tumblr.


Oh Dear
あらら / Arara

“Naoko had a fight with her brother over a trivial thing and pushed him away.  She knew she was childish but she ran away from home.”

Megumi Ishitani (石谷恵) – profile above


SPOON

“A boy’s spoon falls on the floor when he is having a breakfast.  The moment he is trying to pick it up, the boy is thrown into the [a] different world.  There he begins the adventure to take his spoon back.”

Yikun Wang (王禕坤 / オウ・イコン, b. 1991) was born in Shanghai.  He has a degree in Mechanical Engineering from the University of Tokyo and a degree in Design from Tokyo University of the Arts.


ImZoo
3’05”

“Signs such as circles, points, and lines get together to make the shape of a ‘bear’.  ‘The bear’ starts to walk to find the concrete places and comes across animals in the forest.  We tend to find a story in the relationship between ‘The bear’ and other animals.”

koya – profile above


Return to Dust
1’50”

“A skeleton is tied with red threads and stuck by clay.  How much control do we have in our own actions?  And what does hinder these actions?”

Ataru Sakagami (坂上直) – profile above


Through the Windows
3’24”

“The gaze of a woman from a window to  [at other] windows leads to a recollection of the various scenes.  The metamorphosed windows transfer, expand, reflect, conserve, and sometimes shine like a lighthouse.”

Miyo Sato (佐藤美代) – profile above


aaH / Hee
ああ/良い / aa / ii / 2’12” 

“When the mind says aah, the body says hee.  I dance around the confusion and the consensus, and my whole life is getting composed of these dances.”

Shishi Yamazaki (ししやまざき) – profile above


Fishing
/ Ryō/ 3’ 
Ai Sugaya (菅谷愛) belongs to the animation group Onion Skin along with other Geidai students Toshikazu Tamura, Onohana (Geidai 2014) and Yewon Kim (Geidai 2014).


THE FALL
2’42”
“[A depressed] and isolated mind is similar to the sense of floating in the water.  Underwater as a man’s mindscape and the real occurrences at the beach are portrayed”

Kohei Takeda (武田浩平) – profile above


tumbled cat
2’
“A record of sensation and sign[s] of watching tumbl[ing], moving and then floating.”

Toshikazu Tamura (田村聡和) belongs to the animation group Onion Skin along with other Geidai students Ai Sugaya, Onohana (Geidai 2014) and Yewon Kim (Geidai 2014).



Scape Escape
ぜんぶわかってる / Zembu wakatteru / 1’59”

“A man wanted to escape.  He wanted to stay unaware but he found them all.”

Yukie Nakauchi (中内友紀恵) – see profile above.


The Closet
4’29”

“A young girl takes it into her head that her mother is taken by her newly born sister.  Out of jealousy she hides her baby sister in darkness.”

Satomi Maiya (米谷聡美) – see profile above


GYRØ
6’32”

“The everyday life of an elephant and a woman, his wife in a lakeside house.  Their life together with a certain distance repeats itself.  The traces of the passing time cover the familiar landscape.  One day an accident happens to the couple living together with contradictions and secrets.” 

Madoka (円香, b. 1990) is an animator, filmmaker and illustrator.  Before coming to Geidai, she studied animation at Tokyo Zokei University (2011).  Check out her website.


My Dear
6’33”

“At the waterside surrounded by factories and the [waste] lives a white frog.  It loves a goldfish who also lives in the neighbourhood.  Recently the goldfish appears to be in poor health, which worries the frog.”

Yagi (山羊) – see profile above.



Mind Game
形而上の無限思考 / Keijijyō no Mugenshikō / 4’50”

“The devices not used for a story are fed and then destroyed.  This is a reproduction of reminiscence when a heroine runs about a neuron in a moment of waiting for the world that didn’t happen.”

Risa Yamashita (山下理紗) is in her early 20s.  She only lists rather vague information about herself in her profile on her website.


See ya, Mr. Banno!
黄色い気球とばんの先生 / Kiroi Kikyū to Banno Sensei / 4’23”

“One day out of [the] blue Prof. Banno of next class came to school with his hair shaven.  Students made fun of his bald head.  Prof. Banno flew in a hot air balloon the other next day.  Nobody knows anything about what happened to him afterwards after that.” 

Yōko Yuki (幸洋子) – see profile above.



Cathy Munroe Hotes 2015

21 December 2014

Enemies | Brothers: German POWs in Japan (2013)



Feinde | Brüder: Deutsche Kriegsgefangene in Japan (2013)
敵が友になるとき日本のドイツ人捕虜収容所 (2013)

It is rare to hear a positive stories about prisoner-of-war camps, but the story of Bandō prisoner-of-war camp (板東俘虜収容所) on the island of Shikoku is just that.  In November 1914, when the siege of city of Tsingtao (China) came to an end, German soldiers were rounded up and sent to prisoner-of-war camps in Japan.  The most renowned of these is the camp at Bandō, in what today is the city of Naruto in Tokushima Prefecture, where nearly a thousand prisoners were imprisoned until 1920. 



The Hamburg-based filmmaker and author Brigitte Krause took on the story of the camp in her latest documentary Enemies | Brothers: German POWs in Japan (2013).  Krause has an extensive knowledge of Japan, having spent time at Nihon University College of Art in 1985 on a DAAD scholarship for film studies and having shot several live action films and documentaries in Japan over the years (see: AGDOK Filmography). 

The film opens with the children of Bandō Kindergarten singing a nursery song adaptation of Beethoven’s 9th Symphony.  This is significant because the first time Beethoven’s 9th was ever performed in Japan was by prisoners in the Bandō camp.  The song has gone on to have great significance in Japan with it being performed throughout Japan during New Year’s celebrations. 

This is just one of countless lasting effects of this historic contact between Germans and the Japanese.  Krause explores the personal stories of several of the detainees and their families using historical documents and photographs.  The detainees’ stories are supplemented by historical information gleaned from experts, both amateur and professional.


One of the more fascinating characters is Hans-Joachim Schmidt from Kutzhof in Saarland.  Schmidt’s discovery of photographs and letters of POWs in the attic of his new home, led to him start an online archive of historical and biographical information related to the detainees (See: http://www.tsingtau.info/). 

Renate Bergner, who was guest of honour at the film screening I attended in Frankfurt, told of her father’s experiences in the POW camp.  He left with such a positive impression that he ended up living in Japan for two decades after the war.

A whole film could be made about the life of Kazue Shinoda, a Japanese woman who was adopted as a child and did not discover that her grandfather was German until she was an adult.  Krause follows her journey of discovery from meeting her German-Japanese mother at the age of 24, to Shinoda tracking down and visiting her astonished German cousins (her grandfather had told no one back home about his Japanese family) in Saarland with the assistance of Schmidt. 


The only suffering endured by the POWs in Bandō seemed to be homesickness and boredom.  In order to combat the latter of these two ills, detainees turned the camp into a mini-village with its own garden, bakery, theatre group, and newspaper, among other things.  They also seem to have had much contact with the local residents, with events such as holding an exhibition of German wares for the curious townspeople.  One of the long-lasting traditions introduced by the Germans was the art of baking.  Fourth generation baker Tsunemitsu Oka of the German Bakery in Naruto not only had the art of German baking passed down to him, but also went to Lüneberg, Naruto’s partner city (see: Deutsch-Japanische Gesellschaft zu Lüneburg e.V.), to study under the direction of a baker there.

The credit for the POWs relatively comfortable experience in captivity is given by many to Col. Toyohisa Matsue, who was in charge of the camp.  His compassion towards the soldiers was rooted in his samurai family’s own experience of being exiled to rural Aomori during the Meiji Period.  In Krause’s film two of his granddaughters relate their experiences of him as a stern, mustachioed head of the family.  We were lucky at the screening that Col. Matsue’s great-grandson coincidentally works for a Japanese bank in Frankfurt and was able to join us to answer questions about his famous forefather.

The film edited in the typical fashion of a German television documentary, with voice-over narration and Japanese interviewees overdubbed with German.  On the whole, Enemies | Brothers is an educational film accessible to all ages. Copies of Feinde | Brüder on DVD and Blu-ray can be purchased via the film’s official website.  The website claims that it is available with English, French, and Japanese subtitles.  Make sure that you request the subtitles you want, because the DVD that I have disappointingly has no such options.  

The screening of Enemies | Brothers that I attended at Sallbau Dornbusch on November 13, 2014 was co-sponsored by Nippon Connection and DJG Frankfurt.

To learn more about the German POWs in Bandō:


CREDITS

Direction/Script/Editing:
Brigitte Krause

Camera:
Brigitte Krause
Horst Herz

Sound:
Naomi Ito
Aya Kaneko
Yuki Kawamura

Music:
Maia Hall (piano/keyboard)
Birgit Maschke (violin)
Hiroshi Akagaki (mandolin)
Kyosuke Suzuki (shakuhachi)
Naoki Sato (flute)
Sanae Mizukami (oboe)
Jin Teramoto (bassoon)
Kenichi Kawabata (clarinet)

Production Assistant:
Nao Nakanishi

Translation / Interpretation:
Naomi Ito
Aya Kaneko
Noboru Miyazaki

Narration:
Saskia Petzold
Boris Pietsch

Featuring:
Hans-Joachim Schmidt
Kazue Shinoda
Renate Bergner
Kiyoyuki Kosaka
Prof. Dierk Günther
Takayoshi Morizumi
Mieko Matsue
Kaoru Takahato  
Tsunemitsu Oka (German Bakery in Naruto)
Hiroshi Akagaki
Marugame Research Group
Prof. Barbara Rossetti-Ambros
Fumiko and Toshio Takahashi
Ilse and Christine Walzer
Children and Teachers of the Bandō Kindergarten

Letters and Writings of the POWs:
Viktor Walzer
Hermann Schäfer
Paul Engel
The Bandō POW newspaper: Die Baracke

POW Illustrations:
Willy Muttelsee
K.M. Suhr

Photos and Film Clips of:
Shikoku Hoso
Das Deutsche Haus, Naruto 

Photos courtesy of:
Hans-Joachim Schidt
Renate Bergner
Kazue Shinoda
Tsenemitsu Oka
Mieko Matsue
Kaoru Takahato
Heribert Ambros
Wolfgang Wallraven
Photo albums belonging to the Schäfer, Pabst and Fröhlich families

Sound Design:
Peter Sankowski

Producers:
Brigitte Krause FilmproduktionHamburg
East-West-Visions E.V.

Additional Funding:
Saarland Medien Gmbh
The Japan Foundation
Filmförderung Hamburg-Schleswig-Holstein




07 October 2014

Pecora’ped (ペコラペッド)


Pecora’ped (ペコラペッド)
I was quite taken by the enthusiasm of two young animation entrepreneurs, Miyako Nishio (西尾都) and Ikue Sugidono (杉殿育恵) at Hiroshima 2014.  Working as an animation team since 2006, Nishio and Sugidono use the name Pecora’ped (ペコラペッド / Pekorapeddo). 



I should point out that the apostrophe in their official name has been inserted by me to aid English speakers with pronunciation of their unusual name.  As is often the case with Japanese artists, their use of English can sometimes lead to unfortunate choices in names and titles.  As it seemed unlikely that these two bright-eyed women with such a kawaii aesthetic intended to use a violent word like “raped” in their name, I dug a little deeper and found that the name Pecora’ped is the result of bringing together the words “Pecora” and “moped”.  “Pecora” is from the Latin (and modern Italian) for sheep (in English it is also used by scientists for the infraorder of mammals to which sheep belong).   Apparently, Nishio and Sugidono wanted their name to bring together the fluffiness of sheep and the rapid movements they associate with mopeds.  I am not sure how effective the name is in Japanese, but if they want to market themselves abroad with their cheerful and fluffy image, they may want to consider re-branding their romaji name. 

Nishio and Sugidono met as students at Hiroshima City University’s Department of Design and Applied Arts.  Since graduating in 2006, Nishio worked as a designer for five years for Nintendo, while Sugidono has worked as a freelance animator and artist.  Sugidono’s indie work Madly in Love (メロメロ, 2013) has screened widely at international festivals from ASK? Film Festival, where it won the Grand Prize, to Tricky Women, Image Forum Festival, and most recently Fantoche.  



According to their official website, Pecora’ped aim to provide their viewers with “ukki-uki and wakku-waku experiences” (うっきうき!わっくわく).  I am not exactly sure why they have altered the spelling slightly, but uki-uki (うきうき) and waku-waku (わくわく) are common onomatopoeia in Japanese meaning “cheerful / lighthearted” and “exciting / thrilling”.

Their DVD The Films of Pecoraped 2007-2014.7 starts off with their earliest film together, Straying Little Red Riding Hood (迷走赤ずきん, 2007), an amusing over-the-top retelling of the classic fairy-tale done in a cutout-style with simple animation movements. SPONCHOI Pispochoi (2010) is a colourful little film featuring cheerful humanoid insect-like creatures who giggle and chat.  When they start growing moles on their faces they start to sing about this, determined to remain cheerful about this potential flaw in their otherwise perfect lives.  More and more disturbing things happen to these poor creatures but they remain resolute in their determination to remain cheerful.


In conclusion, the DVD features four short-shorts completed by Pecorap’ed this year: Baking Mochito (ぷぅっと もち彦, 2014), an animated haiku dedicated to the New Year’s tradition of roasting mochi (rice cakes), Evolutionary Tree (進化の樹2014), a cutout celebration of the natural world, Human Gene Pool (人間の遺伝子プール, 2014) an unusual take on humanity with some very unexpected twists, and Model Organisms Collection (モデルの生物コレクション,2014) a fashion show featuring various organisms, real and imaginary, with Darwin himself taking the stage as if he were the designer.

The DVD is not a complete works.  For a taste of their work so far, check out their Show Reel and other films on Vimeo.  You can also check out their contribution to the award-winning NHK omnibus Shinichi Hoshi Short-Shorts (星新一ショートショート調査, 2008) by ordering the DVD.

What really impressed me at Hiroshima was Nishio and Sugidono's entrepreneurial spirit.  In addition to the DVD, they had made beautiful jewelry, stationery, and other lovely gift ideas using characters from their animations.  They also make picture books and illustrations and are enthusiastic about collaborating with other artists and running animation / art workshops.  The tree-shaped brooch that I bought made a lovely souvenir of the animation festival and tied in well to the Satoyama Concept workshop that I attended in Fukui Prefecture after the festival.

Catherine Munroe Hotes 2014 





18 September 2014

The 5th Annual Tokyo Food Lovers Film Festival / 第5回東京ごはん映画祭



The 5th Annual Tokyo Food Lovers Film Festival (第5回東京ごはん映画祭)

 A festival that brings together “delicious films” and “delicious food”.
おいしい映画」と「おいしいごはん」を真ん中に、みんなで繋がる映画祭

Dates: October 10th – 24th, 2014
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Locations: Omotesando Hills and the Image Forum Theatre (Shibuya)
1010()13() 表参道ヒルズ 本館B3F スペース オー
1011()24() シアター・イメージフォーラム(渋谷)

The Tokyo Gohan Film Festival is back for its fifth year.  “Gohan” is the Japanese word for “meal”.  In the festival notes, the organizers point out that the prefix “Go-” in front of the word for “meal” (“han”) demonstrates respect and love for the food that they eat.  It is with this desire to share their passion for food that the festival was created.  With Washoku (traditional Japanese cuisine) being added to UNESCO’s Intangible Cultural Heritage List in 2013 and Tokyo being named Michelin’s Gourmet Capital of the World for the past seven years, Tokyo is the ideal place for such an event. 




This unique film festival is a celebration of food and film.  Each year, the festival allows foodie film fans to enjoy some of the dishes served up in memorable cinematic dining scenes.  As in previous years, the Tokyo Gohan Film Festival will be presenting a wide range of films from foodie classics like Yasujirō Ozu’s The Flavour of Green Tea over Rice (1952) and Gabriel Axel’s Babette’s Feast (1987) to contemporary favourites like Ken Loach’s The Angels’ Share (2012), Aki Kaurismäki’s Drifting Clouds (1996), and Wong Karwai’s In the Mood for Love (2000).  There is also a selection of documentary films.

Some of the directors and actors are already familiar to the Food Lovers’ Festival audiences.  Glasses director Miwa Nishikawa’s films are famous for their use of food, and films styled by her frequent collaborator Nami Iijima make regular appearances at the festival.  Marianne Sägebrecht makes an appearance in her recent film Omamamia (2012), but she is most famous for her role in Percy Adlon’s Bagdad Café (1987), which played at the festival last year.  Bob Giraldi’s Dinner Rush (2000) starring Danny Aiello and the docs eatrip (2009) by Yuri Nomura and El Bulli: Cooking in Progress (2011) by Gereon Wetzel are back by popular demand. 


This year, the Tokyo Gohan Film Festival announced an official partnership with the San Sebasti án International Film Festival.  A jury from the Tokyo Gohan Film Festival will award a Culinary Cinema Award at this month’s festival (19-24 September).  The contest Culinary Zinema: Film and Gastronomy was originally created in collaboration with the Berlin International Film Festival and the Basque Culinary Centre “to unite cinema, gastronomy and activities related to food in education, science and agriculture.”  Like the Tokyo Gohan Film Fesitval, this section of the San Sebastián festival brings gastronomy-related films together with themed dinners. The award consists of a prize of €10,000 and an Asian premiere of the winning film at the Tokyo Gohan Film Festival. The festival hopes that “this partnership will create a meaningful meeting point for the world’s great food cultures and traditions, and lead towards the future.”


Babette’s Feast 『バベットの晩餐会』
Babettes gæstebud, Gabriel Axel, Denmark, 1987
Feature film, drama
Dish: turtle soup and cailles en sarcophage (quail and foie gras in puff pastry)
Learn more about these dishes in an archival New York Times article from 1988.  Molly O’Neill recreated cailles en sarcophage for the The New York Times and J. Bryan Lowder has written an engaging piece on his attempt at recreated the dish for Slate.


Inheritance 『オリンダのリストランテ』
Herencia, Paula Hernández, Argentina, 2001
Feature film, drama, the Japanese title directly translates as “Olinda’s Restaurant”
Dish: Argentinian cuisine


Drifting Clouds  『浮き雲』
Kauas pilvet karkaavat, Aki Kaurismäki, Finland, 1996
Feature film, drama
Dish: White fish in a Meunière sauce


Omamamia バチカンで逢いましょう
aka “Oma in Roma”, Tomy Wigand, Germany, 2012
Feature film, comedy
Dish: Kaiserschmarrn 


The Angels’ Share 『天使の分け前』
Ken Loach, Scotland, 2012
Feature film, comedy-drama
Dish: Scotch whisky
Scotch whisky is an obvious partner for this film, but I really think that Irn-Bru should have been contacted to introduce the Japanese to the joys of Scotland’s most popular soda pop.


Glasses 『めがね』
Miwa Nishikawa, Japan, 2007
Feature film, drama
Dish:  Japanese breakfast, kakigōri (shaved ice)
One of my favourite Japanese films of the Noughties, read my review to learn more.


The Flavour of Green Tea over Rice 『お茶漬の味』
Yasujirō Ozu, Japan, 1952
Feature film, family drama
Dish: Ochazuke (green tea over rice)


In the Mood for Love 『花様年華』
Wong Karwai, Hong Kong, 2000
Feature film, drama
Dish: food cart style zongzi (chimaki in Japanese) and noodles


Eat Drink Man Woman 『恋人たちの食卓』
Ang Lee, Taiwan, 1994
Feature film, drama
Dish: Taiwanese cuisine, particularly soups


Dinner Rush  『ディナーラッシュ』
Bob Giraldi, USA, 2000
Feature film, drama
Dish: pasta
Check out this review with recipes by Kristin Eddy.


Wings of Desire『ベルリン・天使の詩』
Der Himmel über Berlin, Wim Wenders, West Germany / France, 1987
Feature film, drama
Dish: Coffee


The Dinner『星降る夜のリストランテ』
La cena, Ettore Scola, Italy, 1998
Feature film, drama/comedy
Dish: Italian cuisine
Cooking Up Dreams
De ollas y sueños, Ernesto Caellos, Brazil/Peru, 2009
Documentary
Dish: Ceviche (fresh Peruvian fish in a marinade) with Pisco Sour (a Peruvian cocktail)


eatrip  eatrip
Yuri Nomura, Japan, 2009
Documentary
Dish: Roast Chicken in a Green and Lemon Sauce / in a Strawberry and Sayori (fish) Marinade


El Bulli: Cooking in Progress  『エル・ブリの秘密 世界一予約のとれないレストラン』
Gereon Wetzel, GERMANY, 2011)
Documentary
Dish: El Bulli Creative Cuisine

Go to the festival's official website to learn more about this year's events and guests.